The Contemporary Art Museum at MIT
In Delia Gonzalez’s most recent body of work, The Last Days of Pompeii (2017), the fate of the ancient Roman city serves as vehicle for a fantastical reflection on apocalyptic destruction and cyclical renewal, all conceived against the backdrop of the contemporary political landscapes of the United States and Greece.
Throughout his six-decade career, Tony Conrad (American, 1940–2016) forged his own path through numerous artistic movements, from Fluxus to the Pictures Generation and beyond. Introducing Tony Conrad: A Retrospective, the first large-scale museum survey devoted to artworks Conrad presented in museum and gallery settings, is part of an ongoing reappraisal of his creative achievement.
