Since the mid-1970s, Ericka Beckman has forged a signature visual language in film, video, installation, and photography. Ericka Beckman: Double Reverse features four major films in installation settings with sculptural elements and theatrical lighting, providing the first opportunity to more fully survey Beckman’s contribution in a US museum.
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The Contemporary Art Museum at MIT
In her richly textured photographs, Farah Al Qasimi considers how images inscribe identity along the lines of gender, nationality, and class. Borrowing conventions from sources as diverse as documentary photography and Renaissance painting, Al Qasimi manipulates and subverts codified expectations of how images are constructed and understood.