In Diary w/o Dates Allison Katz plays with self-portraiture, negotiating memory and projection in figurative painting. Continually pitting the history of Western painting against the reality of a moment, she embraces the complex, absurd, and contradictory nature of making paintings today.
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The Contemporary Art Museum at MIT
New York City-based artist Carissa Rodriguez examines the material and social conditions in which art is produced and reveals how the canonical figure of the artist is reflected in—and reproduced by—the products of her labor.