Max Wasserman Forum
The 2021 Max Wasserman Forum: Another World brings together artists, educators, and writers at the forefront of discourses on art in the digital realm to share their deep understandings and perspectives on digital media’s potential for more radical, imaginative, and limitless forms of cyber expressions.
Public art has emerged as a crucial issue over the past decade. In response to conditions of intensifying economic and political precarity, artists have renewed a dialogue on those social and cultural resources held in common, including media, education, language, the environment, and housing.
This year’s Forum, Present Past: Contemporary Art and the Uses of History, concerns how artists working with historical subject matter engage theories and methods of historical research.
The MIT List Visual Arts Center has gathered together several practicing artists and experts on performative practices to participate in the 2010 Wasserman Forum.
2008 Max Wasserman Forum on Contemporary Art: Eastern Europe Today and the Role of Art in Times of Change
Eastern Europe Today and the Role of Art in Times of Change will begin with an evening screening of recent video works from and about Eastern Europe.
2006 Max Wasserman Forum on Contemporary Art: The Scholarly and Artistic Contributions of Jeanne Wasserman
A special Wasserman Forum devoted to Jeanne Wasserman’s achievement and continuing influence as an art historian, writer, curator, and educator.
2006 Max Wasserman Forum on Contemporary Art: A Matter of Time: Fedback and Immersion in Video Installation Art
“Feedback” and “immersion” are two poles of expression in video art. Early in the medium, closed-circuit video feeds were used as an electronic mirror, instantaneously reflecting whatever came into the camera’s gaze.
The Wasserman Forum at MIT will explore this phenomenon and investigate how architecture can make a difference within the university culture.
In the late eighties and early nineties, the imperative within cutting-edge culture to push the boundaries in terms of eroticism and taste was clear, or at least clearer.
2001 Max Wasserman Forum on Contemporary Art: Losing the Revolution: On the Loss of Seditious Potential when Avant-Garde Art and Music Stopped Sleeping in the Same Bed
A panel of leading theorists and practitioners will discuss the phenomenon of YOKO ONO and John Lennon from the perspective of 2001.
The artists will express their thoughts about curators’ and critics’ abilities to keep the performative and ephemeral aspects of their work available for critical inquiry.