Basel Abbas and Ruanne Abou-Rahme: Only sounds that tremble through us

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A saturated purple video is projected onto an uneven surface of overlapping rectangular panels. Pink light illuminates semi-translucent shades in the background. Onscreen, a kneeling woman is overlaid with text in Arabic and English that reads “As tremble. ”

Basel Abbas and Ruanne Abou-Rahme, May amnesia never kiss us on the mouth: Only sounds that tremble through us, 2020–22 (detail). Multi-channel video installation and two-channel sound with subwoofer, steel and concrete panels, custom seating, photographic gel, 34:40 min. Installation view: May amnesia never kiss us on the mouth, Museum of Modern Art, New York, 2022. Photo: Jonathan Muzikar. Courtesy the artists
 

Location
Hayden Gallery
Featured Artists
Basel Abbas
Ruanne Abou-Rahme
Explore all artists who have exhibited at the List in our Artist Index.

Artist duo Basel Abbas and Ruanne Abou-Rahme undertake long-term research projects that center themes of collectivity, resilience, and memory. 

Their moving image works, which often sample found video alongside their own footage, poetry, and pulsating soundscapes, are complicated by a concern with gaps and glitches, products of the artists’ reflexive approach to translating fugitive fragments of sound and image. The masks and digital avatars found in their works raise questions of visibility and opacity, and the artists’ use of unnatural and inverted colors implies the limits of the visible light spectrum.

Abbas and Abou-Rahme’s exhibition features three bodies of work from the pair’s decade-long project May amnesia never kiss us on the mouth (2010–ongoing)A recent commission that debuted at the Museum of Modern Art in 2022, Only sounds that tremble through us (2020–22) is a three-channel video installation that expands from the artists’ digital video archive of everyday communal song and dance from diverse communities in the Arab world which they collected from social media. At Abbas and Abou-Rahme’s invitation, one dancer and three electronic musicians use their bodies as samplers and take up varied improvisations in response to the movements, lyrics, or sentiments they observed in these quotidian recordings. Surfacing these ephemeral gestures through reinterpretation, Abbas and Abou-Rahme ask what it means to archive sound and gesture through embodiment and look to song and dance as modes of resilience and repositories of memory.

Basel Abbas (b. Nicosia, Cyprus, 1983) and Ruanne Abou-Rahme (b. Boston, USA, 1983) have collaborated since 2007. They have had institutional solo exhibitions at, among others, Astrup Fearnley Museet (2023); the Museum of Modern Art (2022); Common Guild, Glasgow (2022); the Art Institute of Chicago (2021); Centraal Museum, Utrecht (2020); Kunstverein in Hamburg (2018); Art Jameel Project Space Dubai (2017); and the Institute for Contemporary Art, Philadelphia (2015). Their work has been included in major international biennials such as the Sharjah Biennial (2023, 2015); the Berlin Biennale (2022); the Busan Biennial (2018); the Gwangju Biennale and the São Paulo Biennial (both 2014), the Istanbul Biennial (2013), the Liverpool Biennial (2010); and the Venice Biennale (2009).

Abbas and Abou-Rahme’s exhibition is organized by Natalie Bell, Curator.

Sponsors

General operating support is provided by the Massachusetts Institute of Technology; the Council for the Arts at MIT; Philip S. Khoury, Vice Provost at MIT; the MIT School of Architecture + Planning; the Mass Cultural Council; and many generous individual donors. In-kind media sponsorship provided by 90.9 WBUR. The Advisory Committee Members of the List Visual Arts Center are gratefully acknowledged.