Steina: Playback

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A woman plays a violin. She faces the viewer straight on. The image is grayscale and distinctly low resolution, overlayed with the ghost of another image

Steina, Violin Power, 1970–78 (still). Single-channel video, with sound; 9:46 min. Courtesy the artist and BERG Contemporary, Reykjavík

Location
Bakalar, Hayden and Reference Galleries
Featured Artists
Steina
Explore all artists who have exhibited at the List in our Artist Index.

Steina: Playback presents the first solo exhibition in over a decade of Steina, the pathbreaking media artist whose work traverses video, performance, and installation. 

Since cofounding The Kitchen in New York City in 1971, Steina has created works shaped by her experimental approach to electronic processing tools, persistent explorations of what she called “machine vision,” and an enduring ethos of play. A classically trained violinist, Steina took up video in 1970, bringing to her new instrument—initially a Sony Portapak—a musician’s attention to the “majestic flow of time.” Unlike many of her peers working in video in its early decades, the Icelandic-born artist did not consider US television culture a central force against which her video activity was defined. Instead, human perception was a key site of confrontation as she sought the exuberant and even utopian possibilities of an “intelligent, yet not human vision.” 

With more than a dozen single-channel works, as well as multi-monitor arrays and multi-channel environments, this focused retrospective surveys Steina’s fearless DIY approach to new media and her pioneering synthesis of the electronic and the natural. While Steina’s early collaborative works with her life partner Woody Vasulka centered largely around the pair’s obsession with video’s signal and the custom-designed hardware that could distort and manipulate it, her independent works from 1975 onward probe the limits of human perspective and pursue non-anthropocentric modes of visualizing the natural world. Throughout her career, her works were continually shaped by her shifting environments: from downtown New York’s avant-garde and Buffalo’s experimental media arts scene of the 1970s, to the vast landscapes of New Mexico and Iceland. In her works from the 1990s onward, new projection technologies allowed her video environments to become even more immersive: flows of river, waves, light, and wind spatialize what the human eye cannot see and seem to offer analogues of the electronic flow of video and audio signals. With her distinctive translation of musical modes, like polyphony, into the visual realm and her effort to exceed human perception, Steina reveals an electronic sublime and attunes us to the vibrant, invisible energies inherent to both video and natural phenomena. 

Steina: Playback is organized by MIT List Visual Arts Center in collaboration with the Buffalo AKG Art Museum and is curated by Natalie Bell, Curator, MIT List Visual Arts Center; Helga Christoffersen Curator-at-Large and Curator, Nordic Art and Culture Initiative, Buffalo AKG Art Museum. The exhibition will travel to Buffalo AKG Art Museum from March 14 – June 30, 2025.

Steina (b. Steinunn Briem Bjarnadottir, 1940, Iceland; lives in Santa Fe, NM) trained as a violinist in Reykjavik and Prague, and emigrated to New York City in 1965 with her life partner, Woody Vasulka. Initially working as a freelance musician, she began to focus on video in 1970, and in 1971, cofounded The Electronic Kitchen (later The Kitchen), the legendary alternative art space. After moving to Buffalo in 1973, Steina helped develop the production lab at the Center for Media Study at SUNY Buffalo. 

Steina has shown at leading institutions internationally, including the Centre Georges Pompidou, Paris; Museum of Art, Carnegie Institute, Pittsburgh (now the Carnegie Museum of Art); San Francisco Museum of Modern Art; and the Whitney Museum of American Art, New York, among others. Important collections with her work include the Museum of Modern Art, New York; Smithsonian American Art Museum; San Francisco Museum of Modern Art; the Julia Stoschek Foundation; Tate, London; Thyssen-Bornemisza Art Contemporary; and ZKM | Center for Art and Media Karlsruhe. Awards and grants include: Rockefeller Foundation and NEA grants (1982); the Maya Deren Award (1992); the Siemens Media Arts Prize from ZKM | Center for Art and Media Karlsruhe, Germany (1995); as well as an honorary doctorate from the San Francisco Art Institute (1998).

Sponsors

Major support for Steina: Playback is provided by the Andy Warhol Foundation for the Visual Arts and the National Endowment for the Arts. 
 
Exhibitions at the List Center are made possible with the support of Audrey & James Foster, Idee German Schoenheimer, Joyce Linde, Cynthia & John Reed, and Sara-Ann & Robert Sanders. The catalogue is made possible through the support of BERG Contemporary, Reykjavik; the Elizabeth Firestone Graham Foundation; Lucy Moon-Lim; and the Jane E. Farver Memorial Fund.
 
Additional support has been provided by generous donors to the 2023 McDermott Award Gala, hosted by the Council for the Arts at MIT.
 
General operating support is provided by the Massachusetts Institute of Technology; the Council for the Arts at MIT; Philip S. Khoury, Vice Provost at MIT; the MIT School of Architecture + Planning; the Mass Cultural Council; and many generous individual donors. The Advisory Board Members of the List Visual Arts Center are gratefully acknowledged.